To help you navigate her work, we invite you to answer the following questions as you go along.

What was the difference between the way Tarsila and Anita travelled to Paris?
How did this affect her work?
How did it affect her work, the fact that she had to send feedback to the Brazilian government on her progress?
Why did Tarsila and Anita start to distance themselves from each other?
Why did Anita change her aesthetic?
Do you think art historians are correct when they state that she took a step back after going to Paris?
Why did she start to question modernism?
Why do you think she used that particular composition in Woman do Para?
Why are the shoes the last thing you see?
Why did she clothe the woman in a satin gown?
Was Mario de Andrade right in his judgement about Malfatti?